Listening (“Ah, Love, but a day!” from Three Browning Songs, op.44, no.2)

I thought that his piece was very majestic. The crescendos in the piece are an effective when the addition of the opera singer. I liked how the whenever the singer has a phrase the piano would play a somewhat trickling up and down part. I thought that the piece had avery happy and serious tone to it, while still having a very light atmosphere. A new element that his piece has from all the other listening is a lyrical part that I can understand. She mentions how the person should look into her eyes. This is interesting to the composition of the piece.